Reviews
Concert Review - Abhishek Raghuram

Margazhi Reviews @ Madrasana
Sukanya
Sankar
Attending
a concert in an acoustically amplified auditorium is always a unique
experience, especially one that allows amplification without the use of
microphones. Vidwan Abhishek Raghuram, accompanied by mridanga vidwan Patri
Satish Kumar and violin vidwan H. N. Bhaskar, delivered an engaging performance
that seamlessly aligned with the venue’s natural acoustics on 22 December 2024
for Madrasana.
The
smooth decibel levels and even flow of sound were remarkable, allowing the
tambura to be heard loud and clear. For the first time, the adhara shadja of the tambura was distinctly audible, lifting the mood
and enhancing the ambience of the auditorium.
As it was a Sunday concert, Abhishek opened with Muthuswami Dikshitar’s Suryamurte in Sowrashtram, setting a vibrant tone. His renditions of Madhava Mamava in Neelambari, Pankaja Lochana in Kalyani, and Mayamma in Ahiri showcased his inimitable command over brighas, bringing out his mastery in swaraprastara and laya. Each piece was delivered with precision, yet imbued with spontaneity that is characteristic of Abhishek’s concerts.
One of the highlights of the
evening was his soulful rendition of Tejonidhi
Lohagol from Katyar Kaljat Ghusli.
His meticulous diction and pronunciation reflected an acute understanding of
the piece, captivating the audience. In the pallavi segment,
Abhishek chose to render Bahudari, with lines inspired by the well-known kriti Brovabaramma.
A hallmark of Abhishek’s music is his “planned spontaneity.” While his ability to explore and expand melodic ideas was evident, the interplay between him and his co-musicians elevated the concert. Patri Satish Kumar’s subtle and nuanced mridangam playing, free from unnecessary flourishes, provided a steady yet dynamic rhythmic support. H. N. Bhaskar’s violin accompaniment was exemplary, often responding to Abhishek’s flourishes with spontaneity and creativity. On certain occasions, Bhaskar’s imaginative responses and improvisations even seemed to surpass Abhishek’s manodharma, making the collaboration especially memorable.
Overall, the concert was
thoroughly enjoyable, offering a pleasing balance of technical excellence and
emotional depth. The natural amplification of the auditorium highlighted the
intricacies of the music, creating an intimate connection with the audience and
leaving a lasting impression.