Reviews

Concert Review - Abhishek Raghuram

Margazhi Reviews @ Madrasana

 

Sukanya Sankar

 

Attending a concert in an acoustically amplified auditorium is always a unique experience, especially one that allows amplification without the use of microphones. Vidwan Abhishek Raghuram, accompanied by mridanga vidwan Patri Satish Kumar and violin vidwan H. N. Bhaskar, delivered an engaging performance that seamlessly aligned with the venue’s natural acoustics on 22 December 2024 for Madrasana.

 

The smooth decibel levels and even flow of sound were remarkable, allowing the tambura to be heard loud and clear. For the first time, the adhara shadja of the tambura was distinctly audible, lifting the mood and enhancing the ambience of the auditorium.

 

As it was a Sunday concert, Abhishek opened with Muthuswami Dikshitar’s Suryamurte in Sowrashtram, setting a vibrant tone. His renditions of Madhava Mamava in Neelambari, Pankaja Lochana in Kalyani, and Mayamma in Ahiri showcased his inimitable command over brighas, bringing out his mastery in swaraprastara and laya. Each piece was delivered with precision, yet imbued with spontaneity that is characteristic of Abhishek’s concerts.


 

One of the highlights of the evening was his soulful rendition of Tejonidhi Lohagol from Katyar Kaljat Ghusli. His meticulous diction and pronunciation reflected an acute understanding of the piece, captivating the audience. In the pallavi segment, Abhishek chose to render Bahudari, with lines inspired by the well-known kriti Brovabaramma.

 

A hallmark of Abhishek’s music is his “planned spontaneity.” While his ability to explore and expand melodic ideas was evident, the interplay between him and his co-musicians elevated the concert. Patri Satish Kumar’s subtle and nuanced mridangam playing, free from unnecessary flourishes, provided a steady yet dynamic rhythmic support. H. N. Bhaskar’s violin accompaniment was exemplary, often responding to Abhishek’s flourishes with spontaneity and creativity. On certain occasions, Bhaskar’s imaginative responses and improvisations even seemed to surpass Abhishek’s manodharma, making the collaboration especially memorable.



 

Overall, the concert was thoroughly enjoyable, offering a pleasing balance of technical excellence and emotional depth. The natural amplification of the auditorium highlighted the intricacies of the music, creating an intimate connection with the audience and leaving a lasting impression.

 

pc: Akira Io

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