TRICHY SANKARAN
- Published By: Sruti
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The mridanga vidwan is
a picture of dignity and
controlled rage. He brings his
tani avartanam – at the conclusion
of Sanjay Subrahmanyan’s expansive
main kriti – to an abrupt halt, and sits
ramrod straight, expressionless, but
quiet like a volcano about to erupt,
as an eminently visible portion of
the audience at the Music Academy
begins an exodus.