Reviews

Ekadasa Vishnum

A mega dance drama that fused storytelling, artistry, and devotion, bringing timeless myths to life through movement – Ekadasa Vishnum. With stunning choreography, costumes, and performances, it immersed the audience in sacred tales celebrating the divine and the triumph of good over evil. Sridevi Nrithyalaya presented Ekadasa Vishnum, a spectacular production inspired by the 11 Vishnu temples of the Tirunangur Divya Desams, part of the revered 108 Divya Desams. The grand dance drama was conceptualised and produced by Asha Krishnakumar, with music composed by Rajkumar Bharati, choreography by Sheela Unnikrishnan, and performed by 66 talented dancers from Sridevi Nrithyalaya.

The dance production unfolded through a series of evocative segments. The introductory narrative depicted the early life of King Tirumangai Mannan and his remarkable transformation into Tirumangai Azhwar. Following this, he, along with his wife, Kumudavalli Nachiyar, journeyed through every segment of the grand dance drama as Azhwar.

The journey began with Goddess Parvati leaping into the fire after Daksha's humiliation, prompting Lord Siva to perform the Rudra Tandava in eleven forms. Lord Vishnu then appeared as Paramapatha Naathan to restore peace.


Next, the production depicted Bhuvaraha Perumal emerging from the ground to protect the earth, followed by Arjuna’s South Indian pilgrimage, where Lord Vishnu appeared to quench his thirst after he meditated. It also showcased Lord Rama atoning for Brahmahatya dosha by offering a golden cow to a Brahmin after defeating Ravana

Another poignant episode depicted the destiny of a king’s child, fated to die at the age of nine. In an act of divine grace, Lord Vishnu appeared before the child and merged him into Himself, granting eternal salvation. Adding to the charm was a small child who played the role of the king’s child, bringing an adorable innocence.

The production culminated in the grand Garuda Seva Utsavam of Tirunangur, a majestic celebration that united all 11 forms of Vishnu. Each form of Vishnu and Garuda, adorned with a celestial canopy, was brought to life through a harmonious combination of three dancers for each form, creating a visual spectacle.

What stood out the most in the production was the attention to costumes. A group of dancers was adorned in golden Bharatanatyam attire, while others wore costumes that reflected their specific characters. In scenes featuring the 11 forms of Siva and Vishnu, the costumes were meticulously uniform. From Siva’s tiger-skin garment and jada (matted hair) to Vishnu’s grand attire and Garuda’s distinct nose, every detail was thoughtfully executed, reflecting the immense effort invested in costume design. Adding to this were the coordinating pieces of jewelry worn by the dancers, enhancing the visual harmony of the performance. The production also incorporated six pillars as props, which remained on stage throughout, creating the ambiance of a temple and adding to the grandeur of the setting.

A dance production featuring 66 dancers is no easy task, yet the performers appeared to have thoroughly understood the concept. Each dancer executed their movements in perfect sync, with no one missing a beat, creating a seamless and captivating performance.


Each dancer delivered expressions that perfectly resonated with the character they portrayed, further enhancing the storytelling. This added depth to the narrative, making it even more impactful and engaging. The production also incorporated a touch of folk elements, performed by young children who accompanied Azhwar and Kumudavalli Nachiyar on their journey.

Through its compelling storytelling and intricate performances, the production seamlessly wove together these sacred tales, leaving an indelible impression on the audience.

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